![]() Be sure to look at his CINE4, SLOG2, and SLOG3 Set. I’ve used them in multiple videos and I am a huge fan. James Miller’s DELUTS – These are by far my favorite LUTS.Hat tip to Kraig Adams for posting about these. Professional CINEMATIC BRIGHT & SOFT WARM COLORFUL TONES Included 27 LUTs for videos on bmpcc BlackMagic Pocket Cinema Camera and Sony S-LOG per exemple a6300, a6500, a7sIII Canon Log, Alexa mini. IWLTBAP LUTS – I haven’t had a chance to buy these yet, but I would recommend trying out their free LUTs. Check out the LUT in use on my channel here: NOTE: This LUT works best with Sony Cine profile footage (a6300 / a6500 / a7s).Try out the basics, and if you like them consider the Professional or Ultimate packs. IMPULZ LUTS – These look great and are made for a variety of cameras.This package contains a.cube file that may not be compatible with FCPX. This LUT will not apply as intended to other footage. NOTE: This LUT works best with Sony Cine profile footage (a6300 / a6500 / a7s). S709 is close to the film colour characteristics, and allows directors, DOPs and cinematographers, to have the final film look. ![]() Developed alongside VENICE and also applicable to FX9, s709 renders imagery in subtle colours, with smooth colour gradation and a softer low contrast tone curve. Sony created these LUTs for on-set monitoring while shooting, as well as for clip review afterwards.
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